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      <image:title>The Hollywood Arensberg Blog - Diego Rivera’s  Flowered Canoe</image:title>
      <image:caption>Designer Elin Miller, ready to hop in the canoe.</image:caption>
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      <image:title>The Hollywood Arensberg Blog - Our Partners at the Getty Research Institute</image:title>
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    <lastmod>2022-01-08</lastmod>
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      <image:title>The Hollywood Arensberg Blog - Our partners at Trifolio, Verona - Make it stand out</image:title>
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    <lastmod>2022-01-08</lastmod>
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      <image:title>The Hollywood Arensberg Blog - Man Ray and the Aztec Corn Goddess</image:title>
      <image:caption>Left: Tamara Toumanova and the Aztec Corn Goddess in a photograph by Man Ray. Right: The Corn Goddess in the Arensberg’s rear patio garden, in a photograph taken by Karl Bissinger on March 16, 1950.</image:caption>
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    <lastmod>2022-01-08</lastmod>
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      <image:title>The Hollywood Arensberg Blog - A Shout-out to Spazio!</image:title>
      <image:caption>Mariana Siracusa reads from Hollywood Arensberg.</image:caption>
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    <lastmod>2022-01-08</lastmod>
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      <image:title>The Hollywood Arensberg Blog - Seeing Arthur Dove</image:title>
      <image:caption>Left: Alfred Stieglitz. Arthur G. Dove, 1923, Gelatin silver print. 24.2 × 19.7 cm. The J. Paul Getty Museum, Los Angeles. Right: Arthur Dove: Catalogue Raisonné of Paintings and Things, by Debra Bricker Balken. Photo courtesy of Trifolio, Verona.</image:caption>
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    <lastmod>2022-01-08</lastmod>
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      <image:title>The Hollywood Arensberg Blog - Hollywood Arensberg: Arriving at the House</image:title>
      <image:caption>Left: The Henry Palmer Sabin–designed foyer, 7065 Hillside Avenue, Los Angeles, after September 25 but before October 12, 1948. Photograph by Floyd Faxon. Philadelphia Museum of Art, Library and Archives, Arensberg Archives (PMA-WLA), box 54. Constantin Brancusi, Arch, ca. 1914–16, and Princess X, 1915–16: © Succession Brancusi – All rights reserved (ARS) 2020. Right: Mark Nelson discusses the renovation of 7065 Hillside Avenue with Kara Kirk, Getty Publisher, January 2020. Photograph by David Zaza</image:caption>
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    <lastmod>2022-01-08</lastmod>
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      <image:title>The Hollywood Arensberg Blog - Beatrice Wood: At Home with the Arensbergs</image:title>
      <image:caption>Beatrice Wood, Soirée, 1917. Pencil, watercolor and ink on paper, 8 ⅝ × 10 ⅞ inches. Collection Francis M. Naumann and Marie T. Keller, Yorktown Heights, New York</image:caption>
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      <image:title>The Hollywood Arensberg Blog - Beatrice Wood: At Home with the Arensbergs</image:title>
      <image:caption>Charles Sheeler, Interior of the Arensberg Apartment, ca. 1919. Gelatin silver print, 8 × 10 inches. Whitney Museum of American Art, New York. Gift of James Maroney and Suzanne Fredericks</image:caption>
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      <image:title>The Hollywood Arensberg Blog - Beatrice Wood: At Home with the Arensbergs</image:title>
      <image:caption>Beatrice Wood, Visit, 1930. Pencil and watercolor on paper, 8 ½ × 11 ¼ inches. Collection Francis M. Naumann and Marie T. Keller, Yorktown Heights, New York</image:caption>
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    <lastmod>2022-01-08</lastmod>
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      <image:title>The Hollywood Arensberg Blog - Fiske Kimball and the Arensbergs</image:title>
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    <lastmod>2022-01-08</lastmod>
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      <image:title>The Hollywood Arensberg Blog - The 2021 Association of University Presses Book, Jacket, and Journal Show Unveiled Online</image:title>
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    <lastmod>2022-01-09</lastmod>
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      <image:title>The Hollywood Arensberg Blog - American Alliance of Museums 2021 Museum Publications Design Competition Winner</image:title>
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    <lastmod>2022-01-10</lastmod>
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      <image:title>The Hollywood Arensberg Blog - Hollywood Arensberg shortlisted for the Pinault Collection’s 2021 Pierre Daix Prize</image:title>
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    <lastmod>2022-04-16</lastmod>
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      <image:title>The Hollywood Arensberg Blog - An “esoteric playground”? Hear Judy Jaffe Silber talk about her childhood at the Arensberg House.</image:title>
      <image:caption>Left: Judy Jaffe with her parents, Mildred and Sam Jaffe, on the occasion of her graduation from Westlake School for Girls (now Harvard Westlake), Los Angeles; 1953. Right: Judy Jaffe Silber today</image:caption>
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      <image:title>The Hollywood Arensberg Blog - An “esoteric playground”? Hear Judy Jaffe Silber talk about her childhood at the Arensberg House. - Make it stand out</image:title>
      <image:caption>A copy of the exhibition catalogue 20th century Art. Arensberg collection., published by the Art Institute of Chicago in 1949, and inscribed, “To Judy Jaffe with all good wishes from Walter C. Arensberg, Aug 9 – 50”. (Book design by Paul Rand.)</image:caption>
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    <lastmod>2022-04-20</lastmod>
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      <image:title>The Hollywood Arensberg Blog - Gris, en couleur - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>The Hollywood Arensberg Blog - Gris, en couleur - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>The Hollywood Arensberg Blog - Gris, en couleur - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>The Hollywood Arensberg Blog - Gris, en couleur - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>The Hollywood Arensberg Blog - Gris, en couleur - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.hollywoodarensberg.com/blog/collecting-mesomerican-art</loc>
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    <lastmod>2022-04-16</lastmod>
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      <image:title>The Hollywood Arensberg Blog - Collecting Mesoamerican Art, 1940–1968: Forging a Market in the United States and Mexico - Make it stand out</image:title>
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      <image:title>Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A. - Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A.</image:title>
      <image:caption>“An impressive cross-disciplinary and collaborative publication, imparting a great wealth of information while reckoning with the Arensbergs’ eccentric passions…. Hollywood Arensberg is an instant classic for a nascent field.” —Robert McKenzie, PIN–UP Magazine</image:caption>
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    <lastmod>2022-01-09</lastmod>
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      <image:title>Hollywood Arensberg in the Media - REVIEW | Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A.</image:title>
      <image:caption>by Adrian Sudhalter | The Burlington Magazine | Online behind paywall, May 2021; print edition: Issue no. 1418, Volume 163, pp. 480–81, published May 2021 “Beyond it’s invigorating attention to a centre of Modernism outside New York, what is particularly fresh and current in the approach of the book is its commitment to addressing each facet of the Arensbergs’ triangulated interests – in modern art, pre-Columbian objects, and Renaissance literature – allotting equal weight to each and giving voice to the interconnections the collectors saw to exist between them.” Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - REVIEW | Los Angeles’ Lost Palace of Treasures</image:title>
      <image:caption>by Rick Poynor | Eye: The International Review of Graphic Design | Published online 26 May 2021; print edition: Volume 26, Issue 101, pp. 14–15, published Spring 2021 Mark Nelson’s recent book, Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A., is an exceptional feat of photographic reconstruction. Co-authored with the scholars William H. Sherman and Ellen Hoobler, the project has been twelve years in the making…. Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - VIDEO | The Arensbergs in Hollywood Discussion Series Part 2 (Getty Research Institute): Hollywood Arensberg: Arriving at the House</image:title>
      <image:caption>Mary Miller, Mark Nelson, William H. Sherman, Ellen Hoobler | Getty Research Institute | Presented live 9 March 2021; published online 11 March 2021 We are pleased to deliver part two of “The Arensbergs in Hollywood Discussion Series,” a two-part series co-presented by the Getty Research Institute and the Philadelphia Museum of Art. This program features three short films created by Tumbleweed Films and narrated by Jonathan Browning, providing the first glimpses of the meticulous renovation of 7065 Hillside Avenue. The program was moderated by Mary Miller, director of the Getty Research Institute. Watch</image:caption>
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      <image:title>Hollywood Arensberg in the Media - VIDEO | The Arensbergs in Hollywood Discussion Series Part 1 (The PMA Arcadia Library Lecture): The Arensbergs' Hollywood House-Museum</image:title>
      <image:caption>Matthew Affron, Mark Nelson, William H. Sherman, Ellen Hoobler, Kristen Regina | Philadelphia Museum of Art | Presented live 15 December 2020; published online 17 November 2020 We were honored to deliver the 2020 Arcadia Library Lecture, part one of “The Arensbergs in Hollywood Discussion Series,” a two-part series co-presented by the Getty Research Institute and the Philadelphia Museum of Art. The conversation was moderated by Matthew Affron, the Muriel and Philip Berman Curator of Modern Art at the Philadelphia Museum of Art. Part two was presented online by the Getty on 9 March 2021 and is also available on this website. Watch</image:caption>
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      <image:title>Hollywood Arensberg in the Media - FEATURE | Avant-Garde collectors in Hollywood</image:title>
      <image:caption>by Cristiana Campanini | Abitare | Published online, in Italian and English, 7 May 2021 A book traces, room by room, the adventure in art of a preeminent American collector couple: the Arensbergs in their Hollywood home. Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - ESSAY | Revisiting the Arensbergs’ Hollywood-House Museum</image:title>
      <image:caption>by Mark Nelson and William H. Sherman | galleryplatform.la | Published online 4 March 2021 On this platform last June, George Baker offered readers an elegiac account of LA’s lost sites and collections of modern art. He lamented the city’s general reputation for “rebuilding itself beyond recognition,” but he mused most longingly on two Hollywood houses that were once among California’s most active hubs of avant-garde collecting and cultural exchange. The first… Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - INTERVIEW | The Book/Shop Journal: One Great Reader, Series 3, No. 4: Mark Nelson</image:title>
      <image:caption>by Wes Del Val | Published online 14 February, 2021 I am flattered to have been placed in the company of so many great writers and thinkers who have been interviewed by Wes Del Val on the wonderful journal he curates for the Oakland-based Book/Shop. —Mark Nelson Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - PODCAST | At Home with the Arensbergs and Their Avant-Garde Art Collection</image:title>
      <image:caption>Jim Cuno, Mark Nelson, William H. Sherman, Ellen Hoobler | Getty Art + Ideas | Published online 25 November 2020 We were privileged to discuss Hollywood Arensberg with Jim Cuno, president of the J. Paul Getty Trust, on the Getty's Art + Ideas podcast—a series in which Jim talks with artists, writers, curators, and scholars about their work. Listen</image:caption>
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      <image:title>Hollywood Arensberg in the Media - REVIEW | Hollywood Arensberg: Retracing the Life of a Singular Collection</image:title>
      <image:caption>by Tatsiana Zhurauliova | La Gazette Drouot | Published online 18 December 2020 A new book, published by the Getty Research Institute, reconstructs the Los Angeles home of Louise and Walter Arensberg, offering an intimate portrait of their famous collection of modern and pre-Columbian art. Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - INTERVIEW | Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A.</image:title>
      <image:caption>by Tatsiana Zhurauliova | La Gazette Drouot | Published online 16 December 2020 La Gazette Drouot spoke with Mark Nelson, William H. Sherman, and Ellen Hoobler, the authors of the recent book Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A., published by the Getty Research Institute. Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - REVIEW | Reconstructing One of America’s Greatest Art-filled Houses</image:title>
      <image:caption>by Christopher Knight | Los Angeles Times | Published online 1 October 2020; print edition published 4 October 2020 Knud Merrild was just about the only avant-garde Los Angeles artist whose work was acquired by Louise and Walter Arensberg, the powerhouse collecting couple who moved from Manhattan to Los Angeles in 1921. In their jam-packed house in the Outpost foothills, a couple of blocks behind Sid Grauman’s pseudo-Chinese extravaganza of a movie theater on Hollywood Boulevard, a few modest examples of Merrild’s work would eventually be found. Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - ESSAY | Domesticated Duchamp – How Photography Framed a Great Modern Collection</image:title>
      <image:caption>by William H. Sherman and Mark Nelson | Apollo Magazine | Published online 29 October 2020; print edition published as “Moving Pictures,” October 2020 issue, pp. 52–57 ‘Whatever it grants to vision and whatever its manner,’ wrote Roland Barthes in Camera Lucida, ‘a photograph is always invisible.’ Perhaps this explains why there is very little writing about photographs of art collections, despite the fact that most if not all of us spend more time looking at images of artworks than at the objects themselves. This blind spot is no doubt due, in part, to the nature of photography: Susan Sontag observed that ‘a photograph – any photograph – seems to have a more innocent, and therefore more accurate, relation to visible reality than do other mimetic objects.’ But it is also due to the nature of art: works tend to become familiar and even famous through isolated images that separate them from the contexts in which they were, and are, encountered – be it in private houses or in public museums. Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - FEATURE | Decades Ago, L.A.’s Only Modern Art Museum Was a Local Couple’s Home</image:title>
      <image:caption>by Jordan Riefe | Los Angeles Magazine | Published online 19 November 2020; print edition published as “Walls of Fame,” November 2020 issue, pp. 28–29 In the first half of the twentieth century, the only modern-art museum in Los Angeles was a couple’s house in the Hollywood Hills. From the 1920s until their deaths in 1953 and 1954, respectively, Louise and Walter Arensberg regularly opened their mansion to those interested in viewing their impressive collection—which featured signature pieces by French Dadaist Marcel Duchamp, cubists Georges Braque and Pablo Picasso, and surrealists Salvador Dalí and René Magritte, along with roughly 4,000 rare books, including the world’s largest private library of writings by and about sixteenth-century British philosopher Sir Francis Bacon. Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - REVIEW | Book Club: A Not-So-Gossipy Study of the Arensbergs’ Art Collection and Hollywood Home</image:title>
      <image:caption>by Robert McKenzie | PIN-UP Magazine | Published online 3 October 2020 As dedicated patrons of Marcel Duchamp, during the first half of the 20th century, Walter and Louise Arensberg came to possess an enormous collection of Modern art (art advising was among the services that Duchamp provided). The couple’s collection is the subject of a new book, Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A. (co-authored by Mark Nelson, William H. Sherman, and Ellen Hoobler) as is the Arensbergs’ 1920 Mediterranean Revival home, where works by Constantin Brancusi, Salvador Dali, Paul Klee, and Pablo Picasso, among others, were shown to friends, specialists, even students. Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - REVIEW | Inside the Legendary Art-Filled Home of Walter and Louise Arensberg</image:title>
      <image:caption>by Karen Chernick | Artsy | Published online 11 September 2020 No photographs have been found of the bathrooms at 7065 Hillside Avenue in Los Angeles from back when their walls were still covered with artworks collected by Walter and Louise Arensberg. There also aren’t any photographs of the couple (and their beloved terrier, Lollie) posing in their home, which was filled to the brim with roughly 40 Marcel Duchamps and 19 Constantin Brancusis—just a few of the works that made up one of the most extensive private American collections of early 20th-century art. Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - REVIEW | The Los Angeles Home That Defined Modern Art</image:title>
      <image:caption>by Andrew Russeth | Architectural Digest | Published online 9 September 2020 In 1927, the collectors Louise and Walter Arensberg moved into a Mediterranean Revival–style house in Los Angeles and spread their trove of ancient American and modern art throughout every inch of it. The scene inside transfixed people: The writer M.F.K. Fisher admitted that being with the “fabulous collection” was “almost unbearably fatiguing.” Curator James Soby wrote of the works that the “hanging breaks every museum precept of height, space, and light, but you see them clearly.” Graphic designer Mark Nelson of McCall Associates tells AD that when he saw photographs of the art-stuffed interiors years ago, his “very first thought was, ‘I have to rebuild this house, figuratively speaking.’” Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - REVIEW | Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A.</image:title>
      <image:caption>California Art Review | Published online 17 October 2020 Hollywood Arensberg: Avant-Garde Collecting in Midcentury L.A. is an exciting new book published by the Getty on the collection of notable art collectors Walter and Louise Arensberg as displayed in their home in Hollywood. An attempt to bring their divided collection (currently split between the Philadelphia Museum of Art and the Huntington Library) back into a single frame, this book presents the first reconstruction and interpretation of their collection in entirety by presenting the works as they were originally displayed in a domestic setting by giving readers a room by room, object by object tour of the couple’s home in Los Angeles. Keep reading</image:caption>
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      <image:title>Hollywood Arensberg in the Media - NOTICE | The 10 Best Coffee T able Books for the Art Museum Obsessed</image:title>
      <image:caption>by Christopher Knight | Los Angeles Times | Published online 30 October 2020 Anyone who knows Dada and Surrealist art knows of Louise and Walter Arensberg, the collectors extraordinaire whose house in Hollywood was jam-packed floor to ceiling with around 1,000 paintings, sculptures, drawings and other objects, plus pre-Hispanic stone carvings, a few European Renaissance pictures and more than 4,000 texts, most related to the work of 17th century British writer Francis Bacon. Keep reading</image:caption>
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      <image:caption>William H. Sherman, Ellen Hoobler, and Mark Nelson. Photo by Matt Carr</image:caption>
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      <image:caption>“An impressive cross-disciplinary and collaborative publication, imparting a great wealth of information while reckoning with the Arensbergs’ eccentric passions. . . . Hollywood Arensberg is an instant classic for a nascent field.” —Robert McKenzie, PIN–UP Magazine</image:caption>
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